Provocation as theatre, precision as ritual.
The Meine Welt Tour turned Antwerp into theatre, smoke, gold light, and a pulse that felt equal parts ritual and riot.
Till Lindemann directing the AFAS Dome with calculated provocation and machine-tight precision, each flash of light syncing perfectly with his voice. I covered this tour for Dansende Beren, capturing these visuals as a concert photographer based in Belgium. This night is a prime example of the high-impact music photography I provide for artists and press across Europe.
Here’s the night, frozen in some images.
“Zo keerde Lindemann terug naar Antwerpen met een vrij emotieloze, doch theatrale show – wederom choquerend, maar op zorgvuldiger gekozen momenten dan in de Lotto Arena.”
— Stijn De Belder, Dansende Beren (3 Nov 2025)
Featured In Press
Review: “Till Lindemann @ AFAS Dome: Pastoor van de provocatie”
Read the full review →
Photography © Marvin Anthony.
Setlist — Till Lindemann @ AFAS Dome (Antwerp, 3 Nov 2025)
- Allesfresser (Lindemann song)
- Prostitution
- Praise Abort (Lindemann song)
- Platz Eins (Lindemann song)
- Du hast kein Herz
- Skills in Pills (Lindemann song)
Encore:
- Übers Meer / Knebel (live debut)
- Fish On (tour debut)
- Ich hasse Kinder
Song played from tape: Home Sweet Home (Lindemann song)
